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Grateful Dead Live at Assembly Hall, University Of Illinois on 1973-02-21




Set 1

Wave That Flag, Me & My Uncle, Brown Eyed Women, Beat It On Down The Line, Loser, Looks Like Rain, Row Jimmy, You Ain't Woman Enough, Box Of Rain, Mexicali Blues, Sugaree, Around & Around

Set 2

China Cat Sunflower-> I Know You Rider, Jack Straw, Mississippi Half Step, Truckin'-> Eyes Of The World-> Stella Blue, Sugar Magnolia, Casey Jones, E: Johnny B. Goode


Collection GratefulDead
Band/Artist Grateful Dead
Date February 21, 1973
Venue Assembly Hall, University Of Illinois
Location Champaign, IL

Source SBD -> Master Reel -> Dat
Lineage Dat -> Samplitude Professional v11.03 -> FLAC
Transferred by Charlie Miller


Notes

Notes:
-- All disc changes are seamless
-- Can not confirm set break is in correct spot

Reviews

Reviewer: Mr7171551 - - February 21, 2015
Subject: only so-so
Poor sound quality with lots of blips, drop outs and some very ordinary playing. The problem for this show is the absolutely brilliant shows around about it(15/2:2/2 and the DP choices of the 26/2/73 7 28/2/73). China/Rider picks things up a bit;Jack Straw OK,MHUT OK and so it goes. Still, for completion of your '73 GD,it's worth the listen.
Reviewer: JamsOnly - - January 15, 2015
Subject: Good 73
But a good 73 is excellent. Highlights: Brown Eyed Woman and Stella Blue.
Reviewer: DJ5000 - - February 16, 2014
Subject: Not an AUD. Just another damn good Miller
Happy 2-15 all you '73 heads out there.
Reviewer: GermanShepherd - - February 13, 2013
Subject: Loving the '73...but long time, no Wharf Rat
It's been since mid-'72 since they've played Wharf Rat. In my chronological journey, I'm in need of one soon! 5 Stars because it is a great SBD.
Reviewer: njpg - - February 22, 2012
Subject: About an average '73 show.
Some interesting jams, sounding a bit tentative.
Reviewer: grifftrain2000 - - April 2, 2011
Subject: 1973-02-21
This is no AUD recording. SDB for sure. The previous reviewer must have gotten mixed up a bit or reviewed something other than this C. Miller mix.
Reviewer: Tidewater four ten O nine - - March 22, 2011
Subject: Yes, SBD
Sounds like a SBD to me, high quality too, not an AUD. Any audience noise was probably picked up by stage microphones as opposed to a ghost taper.

I'll leave the actual reviewing to '73 Heads' but it seems a pretty good show to me with several of my post-Pigpen favourites well performed, "Eyes of the World" and all .....

No CD cover on Dead Pie Shop but Jessandra has a very nice one on her site.

I'm a bit of a luddite and am not into DVDs and/or mp3 players/ipods, preferring good old fashioned CDs. Rather than just put Casey Jones and the Johnny B.Goode encore on disc 3, I suggest burning disc 2 as normal and then burning disc 3 starting with Jack Straw from disc 2 and continuing all the way through to Johnny B.Goode. Some overlap yes, but more continuity and less wastage.

Downloaded from Lossless Legs of course, not this site.

Keep on Truckin'.
Reviewer: gratefuldiver - - December 15, 2010
Subject: SBD?
This recording sounds like a high quality AUD, but I have a hard time believing that it's a SBD.
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Source: DTS-Audio-CD 5.1 Mix; SBD (shnid=183) SBD> master reel> cassette> Dat >HD> shn; transfer by T. Wul + AUD (shn id 126070) source: aud cassette master; taped by Jim Cooper; sony ecm22p's > hitachi trq-222; nak dragon > benchmark adc1 24/96 > adobe audition cs6 16/44.1 > flac; transfer & seed - Rob Berger - DTS mixing by Kevin Tobin
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Source: (FOB) Nakamichi CM-300 (CP-1) x2 > Cassette Master (Sony TCD5M/Maxell XLII-S C-90); Recorded FOB from floor Section 3, Row Q, Seat 8
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Source: Master Audience Recorded By Mr. Darby; AKG451EB/CK1's (DIN/DFC/First 1/4 Of OTS/9 Feet High)> Whirlwind Phantoms>Teac DA-P20 @ 16/48 (Set 1) and Whirlwind Phantoms>Sony TC-D5M,Tape Denox MG-X (Set 2); Transfer Information Set 1:Sony R500>Tascam HD-P2 @ 16/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Transfer Information Set 2:Tascam 112 MKII>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Dithered/Flacked With Korg Aqua To 16/44 By Keo; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: First Generation Cassttes Unknown Mics/Deck,Unknown Original Transfer Info; Tapes From White,Transfer By Keo; Tapes:Maxell XLII 90,100; Transfer With Nakamichi MR-1>Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion/Flacked/Metadata Tagging With AudioGate Software To 24 Bit/96 kHz
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Source: Nak300>CP4>D5 no dolby; ots dfc mics @10ft pas; cass(m)>hhb830 16/44.1 cds in 2003; cd>audacity +2.5>cdwave splits>tlh flac8
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Source: Master Audience Recorded By Mr. Darby; Sennheiser MD421's (PAS/Section CTR, Row MM, Seat 15/6 Feet High)> Sony TC-D5M, Tapes Maxell MX; Transfer Information:Tascam 112 MKII (XLR Out)>Tascam HD-P2 @ 24/48> HDD>Amadeus Pro (Tracking/Fades/FLAC8); Tracks Renamed/Metadata Tagging With Tag&Rename By Keo
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Source: Master Audience Recorded By Steve Hill, Transfer By Keo; 2 Beyer's Unknown Make > Sony TC-D5M; Tapes: Set 1 Maxell XLII 90, Set 2 Maxell XLII-S 90; Tapes Labelled: Master - 2 Beyer, T.D.; Transfer With Nakamichi MR-1 > Korg MR-1000 @ 1 Bit/5.6 MHz; Tracking/Sample Rate Conversion With AudioGate V.3.02 To 32/96 kHz Wave; Dithered/Flacked With Korg Aqua To 16/44; SBE's Checked/Fixed With Trader's Little Helper; Metadata Tagging With Tag&Rename
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Source: AUD: 2x Beyer M-88's > Sony TC-D5M > Maxell MX-90s, set up at the end of the floor, fifteen rows up in the riser, taped by Joe Morrone.
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Source: Schoeps CMC3/MK4 (ORTF) > unknown power supply > Panasonic SV-255 (lead deck) > Coax SPDIF > Casio DA-7 dat (first deck out) > Agfa Dat tape. Mics on 7-foot stand, back of floor center, directly behind the lighting board.
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Source: Source: 2 Neumann KMF4 microphones > Sony TC-D5M - analog master cassettes;